Catch up on some great Mysteries and Thrillers this summer with this huge summer event! This deal includes the first book in my Montana Marrenger Mysteries, The Truth About Alex. It’s only a two day event, fill up your kindle with as many titles as you can!
The Radio Flyer was a spacecraft
My brother would pull me along through the stars
While I soared through asteroid fields
Exploring a thousand worlds
If a Radio Flyer can be a space craft
Why can’t we go back to the way things were
When our lives were far ahead of us
And nobody worried about the best way
To settle down
In a machine driven society
Predetermined lifestyles marching
To the beat of a time clock
Grating against the surface of complacency
If a Radio Flyer can be a spacecraft
Imagine what galaxies could be explored
Now that we’re older with all the years behind us
And have a much better view.
All material © M.W. Griffith 2016.
Reproduction of material on this website in any way without permission is prohibited.
What happens to books when we aren’t reading them? Do the characters lives go on without us? Does the hero slip away into the nearest tavern to soak away his responsibility in a foaming mug? Does the damsel in distress decide to make the best of her situation until the cover opens once more? Does the princess remain locked in the tower, or asleep, and does the little mermaid cast herself against the rocks in desperation? Maybe everyone falls back into place like Buzz and Woody when the reader returns. Or maybe, just maybe, the story shifts into a completely different direction from the last time anyone opened it.
For the next three days, the Kindle Edition of
The Cold, Bending Light is on sale for .99 Cents!
That’s right, my bestselling book is currently cheaper than a cup of coffee!
Here’s what people are saying about the book…
“…one of those stories that grabs you by the throat and pulls you down into the depths. There is no letting go and this is one of t he best mysteries that I have ever read…a truly thrilling rollercoaster journey from start to finish.”
— Readers’ Favorite
“M.W. Griffith takes things to the next level in The Cold, Bending Light.”
– J.C. Hart, Editor
“This was a great cop story. The last couple chapters have more twists and turns than a woman’s braids and you won’t guess how it leaves off.”
– Kindle Customer
“Griffith again grips the reader around the throat and pulls them straight down into the story. From the first page to the last. He has a great sense of character. You start to see and know the characters and each is imperfect in its own way, making the story all the more real.”
– Nathan Goodman, Author of The 14th Protocol
Readers’ Favorite recently posted a review of my newest novel: The Cold, Bending Light. I thought I’d post it here to share their thoughts.
Reviewed By Anne-Marie Reynolds for Readers’ Favorite
Review Rating: 5 Stars
The Cold, Bending Light by MW Griffith is a gripping murder mystery. Young women are disappearing, their bodies found dumped, and tests reveal that they have been injected with lethal doses of a chemical that many states use in executions – just not the state of Tennessee. Special Agent Selena Marrenger is assigned to the case and, as she edges closer to the terrify
ing truth, she stumbles over something else, something much bigger and much more sinister than a serial killer. Selena is about to find out that not everything is as it seems and sometimes complete madness is the reality. What will Selena learn in her investigation and what could be worse than the serial killer they call The Sandman?
The Cold, Bending Light by MW Griffith is one of those stories that grabs you by the throat and pulls you down into the depths. There is no letting go and this is one of the most compelling murder mysteries that I have ever read. The action starts on page one and continues through the entire book, with plenty of twists and turns that lead us down dark alleys and, sometimes, to dead ends. But every twist, every turn, has its part to play in the overall story. There are lots of clues scattered about that make you think you’ve got it, you’ve worked it out. I guarantee you won’t until the very last and this is what keeps you reading. The character development is amazing, with very realistic and identifiable characters being revealed throughout the course of the story. I guarantee that this book will go down well with all readers who love the murder mystery and thriller genres, a truly thrilling rollercoaster journey from start to finish.
For those of you who have read The Truth About Alex, there is a few deleted scenes that never made the cut. The pace of the book was rather quick, and the scenes I mentioned would have dragged it down. They were short, to be sure, but unnecessary. Every published book, I’m willing to bet, has scenes removed from the final product. It’s a time when the author has to play surgeon, and although it can be a painful affair, it teaches you to have thick skin. You want the story to be the best it can be for your readers, am I right?
It’s hard to let go. Once you’ve written your entire book, lean back with a glass of wine and enjoy your magnificent accomplishment, the last thing on your mind is the cutting room floor. No, no, no. It’s perfect just the way it is. It’s your baby. Every scene has its place and purpose, and you may be the first person in the world who has written a perfect book! If that’s the case, you need to read my First Draft Blues for an awakening. Not to damper the mood, by all means celebrate! Just know the final product might not closely resemble what you’ve just written. Set it aside for a few months. Then, go back and read it. You may find that your perfect book isn’t so perfect, and there may be some much needed tweaking.
What about you? Have you ever had to slice away at a manuscript? How did it make you feel?
Many writers are afraid of a blank page. The white background with that beguiling curser blinking back at you, beckoning you to paint the page with words. How do you start? The first sentence of a story or book can be pivotal to a reader; a deciding factor on whether or not they will continue your tale or begin flipping through television channels. Stephen King, in his book On Writing, states that he puts a lot of effort into the first sentences of his books. That’s because a reader shouldn’t have to struggle through back story in order to discover what’s going to happen, it should just happen. Sure, characters have a past, but there’s an old saying among authors: show don’t tell. Your story’s beginning shouldn’t be a history lesson. Some like to open with dialogue while others prefer action. You hold the cards to your characters past and personality, and if you show your hand too early everything will grind to a standstill. Nobody wants that. Your story has to move, it has to put one foot in front of the other, one word after another. So, think of the situation, the engaging moment that will draw your readers’ attention, and just start walking.
Let’s talk for a second, you and I. Come on, pull up a chair. Comfortable? Great.
I recently asked one of my colleagues what his new book was about. No matter how hard I tried, I couldn’t get an idea of what the story was about. The only thing he could tell me was that his character is amazing, and that’s it. Is it possible to write an entire novel based off of this concept?
That got me thinking: what is it that’s driving your story? Is it character? Plot? Maybe it’s a bit of both. TBS loves to announce that ‘characters are welcome,’ but are they enough to carry a story by themselves? The world doesn’t revolve around a character. He/she has to be doing something, or is in some way affected by the people or events in his/her life. That’s where the story emerges. Sure, Dr. House is smart, but I think he might fall into the category of being so smart that he’s stupid. Where he excels in his trade, he stumbles in his personal relationships. That isn’t enough to be a story, however. What he encounters and how relationships affect him can determine how he functions in the day to day, but suppose a code black is paged in the hospital and the place goes on lock down. There’s a mad man inside, and Dr. House wants to protect his patients at all costs. Maybe he attempts to outwit the assailant and saves the day. Not only is that a story, but it’s quite revealing in regards to character growth.
Maybe the slogan should be ‘stories welcome.’
Then again, maybe I think too much.